![]() On the right is the new effects section with six simple effects. In fact, all the envelopes have slope controls, which we’d love to see on every synth and sampler moving forward as they can really help to give you more control when dialling in movement. ![]() GUIīelow the filter, you have controls for portamento, master tune, and an ADSHR amp envelope graph with newly added slope controls. You then have cutoff and resonance offset dials, so you can move or modulate all four filters at once, and a unique touch adds panning for each, so you can get some quite intricate and wide-sounding patches. Alternatively, you could use all four to pick out some harmonic peaks, making it a highly flexible option for designing sounds. The four filters can be run in series or parallel, or assigned to each oscillator for the creation of some complex evolving sounds. We’re happy to report that this thing really screams when driven hard and you can get some lovely, rich-sounding sweeps that move satisfyingly through the sweet spot. There are then 11 filter styles including clean, raw, tube, smooth and extreme, and all have slightly different characteristics and harmonics, which are emphasised once you start to increase the resonance. You can double-click to add a new filter and then choose from a variety of shapes and slopes. This is put centre stage and is represented as a filter graph rather than with dials. Twin 3’s best feature is undoubtedly its beautiful-sounding filter, which is actually four filters in one. Of course, as with many things, spending some time learning each function will pay off greatly, and we were soon able to navigate it with ease. ![]() This is especially true of the powerful modulation section, although if you’ve used FabFilter plugins in the past then this should be familiar to you. ![]() It is actually the same process to use an audio trigger, using the V2 sidechain function - just route that audio track into the V2 sidechain on the filtered track via the "output" selection, and enable "sidechain" in V2.This does take some getting used to though and, on first use, it’s not as intuitive as some other synths. That should let you use the midi clip to trigger the V2 modulators, and shouldn't mute the audio. Create the triggers, and a modulator in V2 (probably an envelope, but mess around with the modulators) to be triggered. Create a Midi track to trigger V2, and set its output to the track with V2, target "Track X: Volcano 2". You are "side-chaining" in the "frequency pumping" sense, not the "triggered by a secondary source" sense - and you seem to be getting the two confused!įor what you want to do, the process is pretty simple - and does not use the V2 "sidechain" function! The "sidechain" function of Volcano is just like it is on a compressor - it is made that V2 can "hear" a different track so its internal dynamic processes (envelope triggers/followers and so on) can be affected by a different track than the one it is filtering.įrom what I can tell, you are trying to use a midi-sequenced filter sweep, not a "sidechain" in normal engineering parlance.
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